| création 2009, pièce choréphile pour 6 interprètes
"L'ire se fait rare. Au début, donc, n'était pas le Verbe - mais le cri, la vocifération, le hurlement, l'imprécation, lafurie, la gesticulation d'un coprs déchaîné, l'expression d'un visage hâve, noir ou rubicond, qui, bouche écumante, yeux révulsés ou filminants, jette à l'entour feu et flammes. Au début était la Colère. Elle est au premier vers du premier chant de l'Iliade - soit à "la première phrase de la tradition européenne" : "Chante-nous, déesse, la colère d'Achille". Peter Sloterdijk - Colère et temps
Faut-il être en colère pour créer, aimer, penser et donc exister ? Le projet iFeel naît du désir de pouvoir imaginer un spectacle qui parle de ce thymos, cette colère qui est "au-délà du ressentiment", en espérant que Colère et temps de Peter Sloterdijk puisse se transformer en danse. Il me semble que la colère n'est pas soumise à la psychologie ou à la crainte de Dieu, mais qu'elle est guidée par des règles, les mêmes qui régissent la danse. Force, temps et espace. Rythme enfin. Et si la colère est réprimée par la société, ceci veut simplement dire que nous réprimons un espace vitale de notre vie. Marco Berrettini pour *MELK PROD.
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Chorégraphie : Marco Berrettini, Carine Charaire, Chiara Gallerani
Interprétation : Jean-Paul Bourel, Laetitia Dosch, Nedjma Merahi, Deborah Coustold Chatelard, Antonio Pedro Lopes, Sébastien Chatellier
Musique : Samuel Pajand
Scénographie : Bruno Faucher et *MELK PROD.
Durée : 105'
Production : *MELK PROD.
Coproduction en cours : Centre chorégraphique national de Montpellier Languedoc Roussillon
Avec le soutien de Pro-Helvetia, Fondation suisse pour la Culture, de l'ADC-Association pour la dansecontemporaine à Genève, et l’aide du Centre chorégraphique national de Franche Comté à Belfort, de EPPGHV/La Villette à Paris, du Canton de Genève-DIP, de la Ville de Genève-Département Culture, de la Commune dePetit Lancry.
La compagnie *MELK PROD est subventionnée par le Ministère de la Culture/DRAC Ile-de-France au titre de l'aide aux compagnies chorégraphiques conventionnées.
Marco Berrettini http://www.marcoberrettini.org
Italian dancer and choreographer was born the 23.10.1963 in Aschaffenburg – Germany.
His interest in dancing began in 1978, when he won the German championship of Disco Dancing. Thereupon he decides to improve his technical skills. In the next following three years, he’ll take a multitude of classes and workshops in Jazz Dance, Modern Dance and classical ballet. Next to his regular school education, he works for the Ballroom Dance School Bier in Wiesbaden as a choreographer for Gala Nights. He directs 28 male and female amateur dancers. In order to improve the Shows, he watches for the first time in his life American Musical movies. With his dancers he studies and steals and adapts some dance scenes from West Side Story to Eastern Parade.
After his A levels, he starts a professional dance-formation; first at the London School of Contemporary Dance, then at the Folkwangschulen Essen, under the direction of Hans Züllig and Pina Bausch. In Essen and Wuppertal he develops his interest for the German Tanztheater and choreographs his first contemporary Solo: « the horny Santa Claus ». Since that that time, the Jooss/Laban/Leeder/Cecchetti technique means everything to him and in the next 10 years he’ll work under the influence of Pina Bausch’s Tanztheater. Especially concerning the “form” of how a show is build. There seems to be a great amount of freedom and possibilities. But concerning the “content”, Berrettini seems much more sceptical. Berrettini belongs to the ‘80s and the psychoanalytical work of most of the big contemporary companies does not appeal to him. One can feel a change of generation.
Straight after the diploma as a dancer he tries to build up his own company in Wiesbaden. One must say, without any success. Retrospectively it can be mentioned that at the beginning of the 80’s the independent dance companies weren’t really helped at all in Germany and the audience would be strictly used to frequent the state-theatres. Also, Berrettini’s work wasn’t the most communicative one. Next to his attempts to be recognised as a good, new, revolutionary choreographer, he studies European Ethnology, Cultural Anthropology and Theatre-Sciences at the Frankfurt University. For few years, Berrettini fights rather badly his way through dance. He could have had easily a job as a classical dancer or at the Wuppertaler Tanztheater, but he seriously believes that one day his career will work. In the meantime he pays his rent by playing Backgammon and giving amateur-classes.
In 1988 he signs a contract with a French dance company. He is fed up of Germany and hopes that France will offer him new opportunities. This time he’ll be luckier. Besides his work for the choreographer Georges Appaix, he creates his own pieces. The name of his Company was « Tanzplantation ».
In 1999 the Kampnagel Theatre in Hamburg produces his show « MULTI(S)ME ». Following the advice of the Kampnagel Director Res Bosshart, his Company, strong of 12 members, changes its name. *MELK PROD. Is born.
Since then Marco Berrettini, in collaboration with his Company, has produced more than 25 pieces and won some prizes like the ZKB PRIZE at the Theaterspektakel Festival in Zurich. For what it counts to win prizes in choreography.
In 2005 « No Paraderan » opened at the Theatre de la Ville in Paris. A huge scandal breaks out the Opening night. Few spectators even want to beat Berrettini up, waiting for him at the artist’s entrance. In less than 6 months the Company looses the support of the theatres *MELK PROD. used to work with. No money, no gigs anymore. For two years the Company will really have a hard time and 3 members of the crew will have to leave for financial reasons. But since 2007 the situation seems to become stable again. His last piece « *MELK PROD. goes to New Orleans » (for which the Company has really travelled to New Orleans in order to create the piece), reconquers the audience. His dancers, the youngest 26, the oldest 57 years old, improve through the years. Just like good red wine.
Berrettini’s work spreads widely. From the Performance in Museums to movie-productions with foreign film-directors; from Video-Installations at the Palais de Tokyo in Paris to festive dinner parties with famous people who don’t know him at all. At the present Berrettini works on the piece « iFeel ». A piece for 6 dancers who will try to translate Peter Sloterdijk’s new book: “Anger and Time” in theatrically exploitable material. The Opening night will be november 2009 in Paris. In February 2009 Marco Berrettini will shoot the movie « Tournée » under the direction of the actor/director Mathieu Amalric. But his best “creation” is and will be Stella, his 6 years old daughter with whom he lives in Geneva.
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